Although our cultural environment has strong brands of miscigenation, does not give us full opportunity to get in touch with indigenous or african customs. It is known that these institutions are part of brazilian society, but we can not always see them developed into social practices respected and bloom. More easily they occupy the niche of rollick or unattached forms, and sometimes being the most loved, are cause for shame and made secretly at the back door, as the public entrance is reserved for something more socially prestigious.
We have a festive and colorful national day consecrated to our aborigenes, when the streets are full of children with their faces painted and plumes on their head. Although we are not familiar with dramas involving the demarcation of indigenous lands. The richness of our traditions drips in ficction, in school celebrations, civic celebrations. They are not totally forgotten, since still exists bonfire dances of june, pagodes,sambas,reisados,
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jongos( *1) . However they are garnering resources to survive and considered second class cultural events.
On May 13, 1888th Princess Isabel signed the Golden Law. According to the official history of Brasil this law "freed" the slaves. "Freed" is not the word, because "freedom" involves many issues were not even considered: where the "liberated" slaves would live? What occupations for them? what would them eat? Would they study or not? How? Where? None of these mesures was part of the " project of liberation". The slaves left the slave quarters and went to the favelas.
Even with all these reservations the date of May 13 was take as a suitable memorial meaning a change in the conditions of the slave's life. Is a civic date in Brasil. Umbanda ( religion which make cult of Orixás)(*2 ) took the date of May 13 to a ritual experience and reflection on slavery. About slavery itself and on all forms of ignorance and power we humans exert on each other here including the emotional tyranny on ourselves. In fact, this ritual is much broader. The problem of slavery raises a huge set of issues that deserve consideration: the respect for life, the experience of incarnate, love and hate, ravenge and forgiviness, various forms of exclusion. It is also a time to rescue our cultural memory. The presence of feijoada is justified because it was nothing less than basic and substantial meal of slaves in colonial Brasil. Usually feijoada is prepared to many people. We fill a large pot of black beans where are also is cooked the sausage, bacon, dried meat and others visceras. This food is not like that by random. Its way is so closely linked to how it begun. the best parts of slaughtered animals to eat, stayed in the big house"s kitchen.. To slaves were sent the pieces wich peoples from Big house didn't use eat. Here is a short and brief history of feijoada.
For this ritual, we prepare a lot of black beans to feed the community. The ritualistic attitude requires considerable degree of attention and intention. The goal is not only feed the body, but the whole being. Why the ritual is done calmly. Never swallow without thinking of anything else. The ritual begins by the way of setting the table ( in this case, the floor works as a table). We cover the floor with a long lace tablecoth in front of the gongá (altar). Over this towel we put the big pots of black bean, rice, cabbage, orange and the clutery. Some peoples sit along the mat and arrange the food on the plat and others distributes. Many peoples sit on small wooden benches ( mediuns chanelling spirits of desembodied slaves, according to our belief). After all we pray in thanksgiving and eat with hands to reaffirm the origin of the ritual.
The purpose of these rituals is recalling the story of our ancestors slaves and recover and heal our wounded and decharacterized identity. Some day of ritual I lived a unique moment of emotion, surprise and delight. If it is a beautiful and deep ritual, on this day was even more intense because Kaiapós ( aboriginal peoples from Brasil) participated. After the table was lowered they danced and sang around it. The dance was to thank God for the abundance, the opportunity to be together and life in general. We were about a hundred people. That atmosphere caused by faith, reverence, focus and intent was very rich. It was a very strong ritual, the excitement was intense, the presence of aborigenes and slaves disembodied brought back the feelings of the hearts that nothing can destroy. These were the sentiments of centuries and centuries present in Brasil' s history. A piece of our true history, no thesis, no theoretical views or intellectuals interpretations. Prevailed there only the feelings of who lived on his own experience the pains, the joys and achievements. The experience pure, wordless.
Insofar as the singing and dancing followed one after another and the Kaiapós beat the ground with their feet rhythmically, it seems like it was sprouting from the ground a living history ever told in a book by any historian. Only written by pain, emotion, experience of all those peoples and their past generations. It was the noise of feet setting a nice rhythm and the emotion rising and intensifying without stop until the atmosphere to be so full of live and emotion.
Then |I begun to think of our human mistakes. How many plunder! how many deaths! some groups violently attack some weaker with intent to steal the wealth, plunder, enslave. After decimating populations, villages and traditions the invader group boasts of his achievements. They think have destroyed the "primitives" and useless customs. and implemed once their belief, their culture, their world view. When least expected, any where, any time, the story of an ethnic group can break de ground with an unexpected force, unrestrained and very incisive, warning us not to fall into the folly of trying to destroy what is sublime and divine. That divine can temporaly hide into hurted hearts that learned to protect their more dear secrets. But being divine retains its freshness, strenght and wealth which prove that in fact, were not destroyed.
*1-bonfire dances of june, pagodes, sambas, reisados, jongos: popular rhythms of Brasil
*2-orixás:deities brought by africans slaves
Olá Amora Lys
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Parabéns seu blog é muito inteligente e com informações étnica-cultural excelentes.
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