segunda-feira, 26 de março de 2012

Social exclusion creates self exclusion III

                                                          The music of  terreiros

                  Terreiros, (*1) with the blessing  of  Orixás (*2) are prolific  in musical talent. Endessly,  singers, composers, drummers and  other  musicians  come  around  like fruits  in fertilized  soil.  There is  so much  talent,  but I wonder if  the initiatives  are also abundant in order to research,  develop,  transform or recreate  the Orixás music. Talent is  skin  deep,  however  the  timing  to make  it  productive  doesn't  seem  so  present.

                  As we know, the brazilian  sacred feminine is hugely  misunderstood, disrespected, even demonized and misrepresented  by  some  false  adherents who says  that they  can "bring the beloved" (among  others nonsenses). But what about us  who get  our religion  seriously? We think  of strategies  to  show  the meaning  and importance  of the Orixás worship? The issue is  complex  and I do not  dare to answer. But  I've been doing some reflections. We can  to express  the whole depth,  richness  and beauty of Orixás trough art.

                  I notice  there is  little initiative  in studying  and  improving  techniques  of singing, as well  as more carefully  researching  African Music.  Little  experiences  with  different  instruments, little  experience  with mix  of  rhythms,  innovation, etc. Anyway,  works  that  extend  and  recreate  Orixás music,  since  even  being  beautiful  and rich,  like  any  cultural product,  needs  to communicate with  the world around them and to enrich and be  enriched  in  return.

                   Many singers come out  of the community, since music  is an important  part of rituals, but  by several  factors, this pure  and strong musicianship  which  comes  from  the  ground  may not  achieve its best  form. First,  people  have to make a  living material  in a job  that  leads  to greater and  better  part of  his time and perhaps of  its energy.  Moreover,  the religious  community  exists  because  of a psychic  and spiritual  work where people  also need  to  invest  time and energy. The leftover time is for  rest (And  indeed,  there is not much). Then the musical  and  artistic studies  generally take  one  of  the last  places  on the scale  of priorities. So it is difficult  for us  to study  music and acquire  of  technical and  theoretical  knowledge. But  with  all difficulties  and obstacles  of life,  we have  to think  a bit before  saying  that  the  study  is totally  impossible.  if the  driving  force  in the middle  trap us  in the mere repetition  of tasks facing  the survival why not  mobilize a force within  us to drill  the lock  and the extent possible, seek progress to a broader level? Our  "raw material" is an  incredible rhythm,  great  musicianship   and  great ancestry.  For  larger and more  dificult as they are obstacles,  the will  and faith can do miracles. With  this potential,  we can go far. Everything  is possible  for those  who believe, trust  and work. Although we do no achieve  the  goals set  initially, life  never   leaves us  without  and  answer.  The universe conspires. The cult  of Orixás has long  been  important  in Africa and Brasil and will now spreading  to South America.  Let's to appreciate ourself.  It's up to us and only  us a greater  awareness of our value.  To have  stimulus  to work  and realize beautiful  and  interesting  art projects. Does anyone  doubt  that we can?


(*1) terreiro=Temple  where  peoples  worship Orixás
(*2) Orixás=Deities  brought  to Brasil  by our african  ancestors

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